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  1. Hi, Long time lurker, 1st time poster. Excuse the long post, there is an on-topic observation at the bottom TP has been a big part of my life, from visiting the park in the late 80's to throughout the 90's. I then worked there for 15 years (2000 - 2014), in a variety of departments. Retail - some of the best times of my life (I've made life long friends from working in this department) Park Development and Planning - one of the most rewarding jobs I have had to date (see below) Facilities Management/Engineering - this is where my journey ended Park Development and Planning - I was the project lead for the land expansion project, and was involved in some of the early design/planning activities on SAW The Ride, SAW Alive, Kobra (CWoA), The Swarm, and an early Ghost Train concept. Whilst working in this department I learnt some fascinating history about the park. For example, did you know when the park was being constructed in the 1970's, RMC flew in an Imagineer from the States to help design the entrance and car park? Anyways, back on topic... I visited the RTP's for the 1st time (since leaving TP) last year and noticed that the overall quality has dropped across all 3 parks (CWoA probably was my favourite park out of the visits last year TBH). I noticed that at AT, unless you like roller coasters or kids rides, there actually isn't that much there. Duel should have been removed and replaced, or even reverted back to its former scary self years ago, and Hex is a shadow of its former self. I have never liked the Rapids since they removed the old boats. TP - DBGT - Ok this was not what I had originally envisioned for this plot of land. I found it to be an interesting concept, however it was not delivered well. The queue lines design (or lack of) makes it one of the worst (if not the worst) queues I have ever been in. I strangely found IACGMOH to be quite an enjoyable experience. I think TP are now in a weird position where they have got to develop two large areas of the park - the island next to Swarm (Island A) or Loggers. Which one do you do first? Island A needs that development to remove the dead end at Swarm (Parks should never have dead ends, they need to be free flowing), or do you develop Loggers which is a dead corner of the park? Is the investment there? CWoA seems to have flown under the radar a bit, and appears to have missed a lot of the Merlin clusterf**ks that have happened over the years. However, the drop tower replacing Rameses is again lacklustre and screams of "cant be bothered to develop this park properly"... Which leads me onto why I think these parks are suffering: The Smiler accident - I should imagine the insurance premiums across the UK parks are now extremely high, effecting large scale investments As far as I am aware, Merlin did not operate any theme parks until acquiring Legoland and the Tussuad's Group. I've noticed that all of the Merlin investments to date have either been lacklustre or poorly delivered (Ok Wickerman was good, however not too sure a pre-show was required - even though the show is good). I think there is a lack of interest within the company (I found this out when I was working at TP, and was shocked to find so many senior people not interested in the industry - a lot of them had never been to a Disney park... Its just a job to them) If you look at what parks around the world are announcing as new attractions, Merlin's UK offering is waaayyy behind everyone else. One of the most heated discussions I had whilst working at TP was surrounding the lack of a decent family zone/area. My argument was that parks such as Six Flags and Cedar Point (parks TP tries to emulate) all have decent (ish) kid friendly/family friendly areas. The answer from management was a return on the investment would not be possible as "how would they sell it"? Hopefully when (if) Paramount Park gets built, it will give Merlin a kick up the backside in getting there act together. Just my two cents... M
    20 points
  2. Coaster

    Closed Season

    I have... But of course, you'd never get anything wrong. ?
    20 points
  3. 15 points
  4. I have a few theories. None of its concrete evidence and is pure conjecture on my part. - The failure of the Swarm. We all know that Merlin were initially disappointed by the Swarms first season. Many reasons were cited (which I'm sure those in the know can find) but essentially, I think this lack of interest in the new coaster dented confidence in what the park could do. Baring in mind, 2011 saw one of the biggest years the park had and that was on the back of Storm Surge. Cheaper investment bought massive returns. - The next Big thing. I think Thorpe has fallen into the trap that Six Flags did. By appealing solely to the thrill sector you severely limit interest. Teenagers want the next big thing and in the 00s, Thorpe easily provided that thrill. Hit after hit, success after success. Coasters galore, several years where we got two flat rides. That investment was unsustainable. Now though, rides like Colossus, Inferno, Tidal Wave, Detonator & Vortex are old hat. They are unmaintained and look their age. Thorpe were unable to drum up interest with The Swarm, Derren Brown opened late and was pretty weak and the less said about the reliance on IP to drive interest the better. The park has a real image problem which leads me to.. - Branding. Thorpe has a huge perception problem. Is it a thrill park, is it a park for up for it families, do we make X a family coaster then two years later refurbish it for adults. Do we change our market to families and then close the biggest family ride we've got (Loggers Leap). Do we advertise our park in our 2019 advert or have an image of goats, donuts and a hotel room. None of this evokes excitement. It smacks of a park throwing anything, everything at the wall to see what sticks and new general managers are not given enough time to evolve/change the place before they are fired and a new one bought in. - The Smiler crash. Ironically, four years later, I feel like the crash has had this weird echoing effect at Thorpe compared to the other two main Merlin parks. It's almost like it never recovered from the initial drop in attendance whilst Alton has recovered well thanks to Wicker Man and Chessington never saw the drop because of its family audience. You could say the lack of investment is really hurting Thorpe right now but then there seems to be no steps to change this. - The park itself. It's fallen a long way since the hefty days of 2006. If they are to recover the place they need to sort out their offering. Having abandoned flat rides and log flumes standing doesn't help, neither does the game stalls or the lack of maintenance and paint jobs on their rollercoasters. The basics need to be sorted for Thorpe to recover. Chessington was exactly the same way in the 00's but that now feels like the strongest Merlin park IMO. If Thorpe can sort this then they might be able to get back to the top.
    13 points
  5. SteveJ

    Logger's Leap

    The unprofessionalism all round from Thorpe Park is shocking. And no offence but it's pretty embarassing to see a self-appointed theme park 'personality' seemingly using their job at Thorpe Park as self validation for their inflated enthusiast opions. I know many enthusiasts (in the real sense of the word, not this enthusiast "community" cult ideology) who are extremely hard working and have been in the attraction industry for years. They make it all happen to entertain others, they dont get any wider recognition and they dont seek it either. Whereas this Jordan character trying to get PR attention at any opportunity, the tweets, that dumb enthusiast awards thing and many other enthusiast cliques, seem to be far more interested in themselves than working in entertainment. Or getting their enthusiast friends 'in' behind the scenes so they can boast about themselves too. Thorpe Park needs to get back to basics, get back in touch with the public (especially if it's wanting to go for families more like it says it does) and offer a good value day out. Not a day in a tarmac car park sponsored by a hundred fads, with signs constantly reminding you you're on "the island" (whoops, you built over most views of the water years ago!), and then getting egotists to tell others why they're wrong online. Theme parks are really just about having a laugh out with friends, with a day of fun. Isn't that what we all got into it for? People behind the scenes need to be open minded, less self congratulatory and sort the park out properly. But I guess massively glamorising the 'brand' to the point that it bears no resemblance to the park is what they're better at and all they're interested in currently.
    13 points
  6. BritishThemeParkArch

    Vampire

    Apologies for the long pedantic post, but to save misunderstanding, here's the full story behind Vampire's audio over the years! Obviously all the following is more technical info, no guests are gonna go in Vampire thinking 'hang on this is the wrong mix' – but the point is for the music to sound good and have good effect, and clearly this is not happening today. The ride currently sounds awful. Here is where it gets pretty complicated and you need to consider how technology has changed massively over time to get your head around it. Let's break it down to: Production tapes (pre dubbing, pre downsampling) 1990 Ride 'dual zoned' mix 1990 stereo cassette mix 2016 Smart mix The original music would have been produced from tapes as a high quality production master by the composer in 1990. A standard mix for listening would have been in stereo obviously, but for use in the ride it was mixed differently. Theme park audio is usually always in mono mix, or 'multi mono' if its a score for a whole ride that changes as you move through it. This is because a stereo image requires a left and a right speaker, but in an attraction you're constantly moving around space with usually multiple speakers playing the same track, so it makes more sense to have it in mono. Vampire actually had a 'dual' zoned effect where the same music played throughout the station, where the organ stage played the organ instrument, and the backing track played through the rest the station (guitar in both). This opened up the sound a bit more and gave the effect of the organ playing the actual organ part. To do this effect, a mix with split organ and backing was sent to Sparks (who produced the Vampire station), with one on the L channel and other on R. This wasn't a traditional stereo mix, it was more of an installation mix, so would sound great standing in the station, but would sound bizarre played on a home stereo. Sparks also dubbed it with the familiar screams and thunder sounds. This mix was unique to any other mixes, which is why all other versions sound slightly different. However, because of the technical limitations of the time, the ride track needed to be downsampled to play on solid state EPROM chips, which could only hold a certain amount of memory. The downsampling means it's lacking bass, but otherwise is good and wouldnt have been noticeable on the big station sound system – as anyone who went in Vampire in the 90s would remember it still sounded great! However, in mono, it wouldnt sound so good in isolation on a home stereo. This zoned effect was lost in Vampire around 2000 when the sound system was changed. From then on it played as one zone throughout the station, but was the same 'mix'. Then there was a souvenir cassette that was sold in the Chessington shop in the 90s, this was a very different mix to the ride version – and was in stereo (for listening). This is the one more commonly heard online. Although a more polished mix, the sound quality has always been dire, because the same warbly digital transfer has been passed around since forever (the original cassettes are hard to come by). Somehow this was the track that Chessington replaced the original with in 2014 when the sound system was changed to mp3 playback. What! It sounds awful due to the poor quality of the transfer from cassette and is not edited to loop correctly. Then a few years back the composer put up his own version (the Smart mix), from his own tapes, pre-downsampling... BUT it was actually yet another mix, half the 'cassette' version and half the 'original' version. This is the best quality version of the track available, but doesnt have the zoned effect or the 'rawer' guitar. After years of trying to find the original track, I first found just the backing part on its own, which only had the guitar and organ on it faintly. This is what's on Soundcloud, edited to sound less 'mono' and with the organ part turned up a bit. More recently I finally found the organ track to go with it, so will update the Soundcloud track soon. Have sent this to Chessington. These are the downsampled, dubbed tracks that played in the ride from 1990 to around 2000. So, not full listening quality and would sound weird played on a stereo, but would sound good restored in the dual zones in the station. Much better than the current dodgy mp3 being played. Ideally, a brand new mix should be struck from the original master tapes (if they still exist with the composer) to recreate the dual zoning and the more 'raw' original mix – but without the downsampling, since this is no longer necessary with today's playback technology. Combine this with a repaired sound system and it would sound amazing. However, the original composer seems to be completely uncontactable. So, there's the saga of Vampire's audio! Once sounded classic, now sounding very lame with the poor recording they're using at the moment. But, simply putting back the orginal mix on a broken, mono system probably wouldnt make much difference. What it needs is a new, overhauled sound system and a full quality zoned mix.
    13 points
  7. Alright, I've had a day to think over what these dungeons are like after experiencing it last Sunday and are going to be brutally honest with it now after the experience I had and will present my opinion of it as a paying customer who dedicated nearly an hour of their 10am - 5pm day on this thing; not as a theme park blogger who is in Merlin/Alton's good graces and paid zilch to experience it. Contrary to all the positive reviews that are going around right now for it from all the theme park bloggers/vloggers/YouTube "celebrities", I'm sorry, but this is without a doubt the worst Dungeon I have done and I would go as far to say the worst attraction Alton Towers have ever given us in the 21 years I have been visiting this place year-on-year since 1998, and that's saying something. It goes almost entirely against what makes all the other Dungeons enjoyable attractions and it falls flat on delivering a comprehensive experience for guests with no proper thought or imagination put into the product and here's why. All the other Dungeons I have experienced immerse you properly into each scene with details and theming across every corner, from the flooring, walls, scenery and the actors. Despite many of them having bare roofing such as the London one for example, you tend to forget about it all with every scene and focus your attention on the actor and surroundings, as per you should, so this missing detail never really posed a problem for me with the others. With the Alton Towers one however, the very opposite occurs. For every scene you go through, I kid you not, there are flat black walls literally everywhere you look from the sides, behind you, the ceiling and even amongst the theming where the actor stands. It look horrendous and every room made you feel like you were in a big black box that had been assembled quickly and cheaply with timber wall panels. There was no texture to any of them, no deformation and no disguising of the walls in any room to make you feel as though you are in a dungeon. It just looks incredibly lazy and cheap and no attempt whatsoever was done to immerse guests 360 degrees unlike all the other Dungeons. The entrance to the attraction I still hold the view looks disgustingly ugly and cheap. Whilst in-person it looks a little better than through a screen, you can tell it was built on a budget with the randomly placed barrels and crates outside the entrance, along with the temporary fire torches fenced off. Most unforgiving of all is there is still an entire section of the entrance to the left in front of the lift towers with nothing but a giant 30ft black wall. Clearly the park ran out of wooden supports to cover this up properly during construction, so their solution to this problem was to pop down to the local B&Q and buy 50L of Dulux EasyCare Rich Black paint to cover up the shadows of the deceased Oompa Loompas peeking through the 2D windows. I'm guessing with the amount of black walls inside the attraction they had plenty to spare to cover this up too... Take a look here at what I mean. Taken on Sunday 24th March. It's so revolting to look at: As for the Black River boat ride, it's the same story - paint every wall black and leave it. The ride follows through the same route as Charlie, but believe it or not, it's now even barer than before with very little decoration or theming present in any portion. There are a few projectors on flat walls as you go round showing the shadows of victims being tortured, a couple of water jets to get you wet, a single animatronic which just bobs up and down ever so slightly in a cauldron, a single projector on a mannequin head and a single oddly-placed smoke machine. That is quite literally it for 4 minutes straight. There are no proper special effects anywhere inside, many zones had no audio playing, there are just black walls and tunnels for 80% of it and most unforgivable is the park were too lazy to remove the old theming from Charlie such as the water wheel in the station and the mirrored section towards the end where Sonic used to be on Toyland Tours. There is so much empty space and wasted area on this ride now that it makes Charlie look like a masterpiece compared to "Black Walls - The Ride". It's so, so bad. From here, it's pretty much your bog standard Dungeon attraction where there are various scenes stolen copied from other existing ones. Each scene did have its little twist added to the script referencing Alton Towers instead, but 95% of it was exactly the same as all the others. The Plague Doctor was 100% the same as the London one (though with very few effects) and so was The Torturer. The Judge scene was a little different but followed the same procedure - 3 people chosen, 1 found guilty after just saying where they were from. The Highwayman was identical to Ms. Lovett's pie shop mixed with Sweeney Todd at London where it used identical sound effects and audio and had the moving chairs with prodders. Lastly, the Haunting for the last scene was pretty good overall I will admit with some nice use of lighting and sound effects, similar to Witches of Warwick. Was a decent finale. As for the acting though, I've gotta hand it to those in there, they did a fantastic job in every scene. The actors performed brilliantly with plenty of adult humour which I liked and were interacting with guests very well. In fact, I would go as far to say the actors Alton have for this Dungeon are better than any other I have done before, so well done for hiring the right people! But that all aside, even though the acting was brilliant, the rest of it was a total mess. The biggest problem I have is the fact so many areas of the attraction consist of nothing but black walls everywhere in every scene and it's the dominating and most noticeable feature of every room. Each scene I would say is 70:30 in favour of black walls to theming and it looks really rushed in many areas, especially the transitions between each scene which once again are just black walls with no theming or detail put into them either. It is quite literally one giant yet claustrophobic rectangular black box one after the other for the majority of the experience. With the other dungeons, you at least have stuff to see, hear and feel which the London one is especially good at. But for the Alton Towers one? The only thing you can smell is the fumes of freshly coated black Dulux paint mixed with touching the sloppily finished un-sanded walls, and flooring which still has outlines of Charlie's theming and fencing present. It really is genuinely like this inside. The thing to bear in mind is that this is an attraction every guest unless you are an AT Premium Pass Holder will need to pay £5 for in order to experience, and I am telling you right now, I was really cheesed off my money went on this experience after finishing. There is no way in hell this is worth the upcharge the park is enforcing, because you can get a much better Dungeon experience across any other corner of the country for free compared to this if you are a MAP. It's completely unjustifiable in my view given there is a serious lack of quality and finish present in this version and you are frankly better off getting two medium Costa cappuccinos in Forbidden Valley for your fiver. Now, you might say "it's not finished yet hence the black walls", but I would then question why the heck are the park charging customers for a half-baked product if it's evidently not ready? Either open it when it's 100% right (yeah, just like DBGT remember...), or have some decency and not charge guests at all for it until it is fully completed. Lastly, I want to emphasise on a point @Martin Doyle made above a few posts ago. You might be reading and hearing many great reviews out there for the Alton Towers Dungeon right now from all the big and famous theme park fans out there with a massive following, but please take what you hear from them with a massive grain of salt. These are the same groups of people that praised Thorpe Park's Fright Nights last year with some going as far to say it was the "best Fright Nights yet", so it's obviously evident some of them are in Merlin's good graces when writing their reviews and are restricted on what they really think about it. Instead, I implore you to focus your attention and effort on those who have actually paid the £5 admission for this attraction and dedicated an hour of their time in the park for it. These reviews are far more credible and realistic through my eyes as they tend to speak their mind properly with no filters in place and aren't towing the company's line of being overly-positive about everything Merlin creates. To summarise my experience of the attraction, it would be this - a lacklustre, short-sighted and rushed mess that made Charlie and the Chocolate Factory look phenomenal in comparison. Still, it is better than nothing right?............Oh wait, black walls are nothing............ Alton Towers Dungeon - 3/10
    12 points
  8. I hope everyone gets what they wish for... ...In reality, another year waves hello to yet another shake up in Thorpe’s management, staffing, project management and direction, meaning, yet again, consistency goes out of the window. Fright Nights is sadly an unorganised and chaotic event with little to no thought, direction or drive, and change in personnel can mark very significant differences in delivery. Big Top not returning due to lack of tent? More like lack of intent, with the creative minds and team behind its success walking away heads held high after completely turning around what was a disasterous delivery in 2015...
    12 points
  9. An interesting question with a few answers. First off, to answer you concern: it was nothing to do with it being "too extreme". There wasn't enough serious complaints from guests who did it to warrant its removal. Frankly, I don't even know if there were any complaints - everyone knew what they were getting themselves in for. These sorts of experiences have a niche market (albeit, Thorpe and Towers' alone experiences expanded and simultaneously watered-down the niche). A short answer: There wasn't a strong enough drive internally to get it to come back. Devising the experience takes time (it wasn't simply "actors do whatever they want"), and there was no one who was in a position (in terms of the time-commitment required) to create it. There had been some backlash from actors about the experience who didn't feel comfortable doing it (something I'll go into later), plus it could add another hour onto an already very long day, where they have to work 10x harder. Those two together meant it just wouldn't get off the ground. A long answer: Less of an answer, and more of a story.. Face it Alone came about in 2013, with the park trying to diversify their line up and really focus on becoming a bigger, better and more unique Halloween event. The Lionsgate IP bought in the brands and the interest, completely refreshing the concept of Fright Nights. They tried new maze concepts: choices (Cabin in the Woods) and outdoors (Blair Witch Project). They introduced a (sadly poorly received) overnight experience, which was trendy at the time, and pushed forward with the Face it Alone: an extreme and an alone experience in one; again something which was trending and on the up in the scare industry at the time. For anyone that did it in 2013, you'll no doubt know that every experience was different. The actors were given a scope of things they could do, boundaries they could push and ideas they could toy with. It was free-reign, but it gave the actors a much freer realm to work in. Another important thing to note is that Face it Alone wasn't particularly popular in 2013. People were unsure what exactly it was, whether it was worth the £15, etc. You could also choose which maze to experience. Which all in all meant it was easier to organise, give a personal touch, etc. When 2014 came along, the experience changed somewhat. Whilst it was still 'extreme', the actors stuck to much stricter roles. Basically, actor 1 did x to you, actor 2 did y to you, etc. By no means a bad thing (if planned correctly, this can be a very good thing), just different. Again, this year you could choose your own maze and, whilst it had gained popularity, it was still pretty calm. 2015 is when everything changed, and was arguably the beginning of the end. Face it Alone became a much bigger spectacle. Gone were the days of choosing your own maze, and it was instead replaced with the Roulette Ceremony by Big Top. A great idea in fairness, and one that many enjoyed. This meant it garnered more attention and became much more popular, and went outside of the niche. Already teetering on the edge here. 2015 did go back to 2013's free realm style too. There were clearly things that certain actors had to do at certain points to progress you through the experience, but in between actors had a very large scope of what they could do. The next thing with 2015 was the overt sexualisation of the experiences. It's probably not suitable to discuss the details on a public forum, but many things done within the experiences weren't scare tactics, they were simply there sexualised things made to make people feel uncomfortable, humiliated and uncertain. This was the first year that a safe word was introduced too. Safe words do appear in many extreme attractions, but I don't think it's a coincidence that a safe word appeared at the same time the sexualised content of Face it Alone occurred. This was a completely different direction to what had happened before. Whilst Face it Alone may have featured things like nudity/being tied up/etc - ie things that COULD be sexualised - they never WERE. By doing so, it adds a very different tone. And this tone meant that people were enjoying these experiences in a very different way. There were plenty of times that people within Face it Alone experiences were asking for certain things to be done to them so that they could 'get their money's worth' and be satisfied with the experience. These sorts of things had happened in previous years, but not to the degree they had happened in 2015. This, unsurprisingly, led to some actors being rather uncomfortable with the experience. Come 2016, things had been toned down again. It went back more to 2014's "carbon copy" style experience. Originally it led to some complaints that it wasn't as extreme. I think one issue was that the 2015 version of Face it Alone had created a following of people who hadn't experienced extreme attractions outside of Face it Alone, so they had a very set idea of what should happen. When this didn't happen, it lead to that sort of backlash. Getting the balancing act right likely proved hard. And yet there were still people asking for certain things to be done to them, etc. Then 2017 came along, there had been a feeling of discomfort for a while from some actors. The experience had expanded too far out and wasn't something that could be controlled and marketed as it should. People changed roles. The amount of work required to hit that sweet spot was ever-growing, for perhaps diminishing returns. Fright Nights also focused on The Walking Dead, and AMC are known for very strict guidelines about their attractions. Working out a Face it Alone experience for those mazes would have been near-on impossible. So everything together just meant it didn't happen, and it hasn't returned since. And that's that. New external IP, internal concerns and arguably a bit of apathy/running out of steam all really finished it off. Maybe in the future it can return. With the AMC contract disappearing soon that would help. Seeing the extreme version of Creepy Caves at Chessington being a success probably helps. But it requires a lot of work, a lot more than many perhaps realise and appreciate. And I'm not sure I could see it happening soon.
    11 points
  10. Mark9

    Black Mirror Labyrinth

    Can't wait for sex education the experience xx
    11 points
  11. JoshC.

    Closed Season

    Would have thought you of all people would have realised a sarcastic post when it's slapped across your face. Clearly not.
    11 points
  12. I hate this guy
    10 points
  13. MattyMoo

    Jungle Escape

    OMG I hardly recognise it ?
    10 points
  14. StevenVig being unnecessarily sarcastic about a justified comment? Shock horror
    10 points
  15. I'll be making my television debut and appearing on classic quiz show Countdown! My debut is this Friday (Oct 28th), airing at 2.10pm on Channel 4, and of course available on catch up after. There'll also be a bit of geeky chatter and roller coaster puns, because of course they run with me being a roller coaster enthusiast and turned it into my entire personality (not far wrong tbf). Would be lovely if anyone gave my episodes a watch!
    9 points
  16. Have removed a couple of posts from here - Regardless on your opinions on Nick’s music - fair play to him for organising this - just looked and I saw he’s raised almost £600 to donate to a mental health charity and no one deserves to be berated for that - that’s significant amount especially during these times from such a niche market. Whilst I get it may not be everyone’s cup of tea I think it’s great people when people l come together and do things like this which will ultimately benefit others more in need, especially in times like this!
    9 points
  17. For £10 I will expect to have a ball gag in my mouth, made to squeal like a pig and crawl around on all fours whilst being pushed about and then have a big fat man dressed as a baby put a custard pie in my face and throw straw at me #BigTopBraveItAlone #TheGoodOldDays #SharedBallGagNotCovidSecure
    9 points
  18. Martin Doyle

    Rant

    I am really getting quite sick and tired of seeing enthusiasts moaning and crying about POSTPONED trips to theme parks this year thanks to the pandemic. Look, I know this page is ofcourse a forum dedicated to a theme park and I myself am very proud of being an enthusiast. However, I do feel some enthusiasts on social media really need to look at what's going on in the world before they go on an Ian Beale style "IVE GOT NOTHING LEFT" sulk about postponed park visits. People are losing their jobs and with that, the abillity to make a living to pay the bills. More importantly, many people are losing loved ones to this virus. So with all that happening, I personally find it hard to feel sympathy to a bunch of people who are crying over not being able to visit parks that will STILL BE AROUND when all this is said and done. Those who are losing loved ones do not have that luxury. I have a friend who lost her nan recently and was not even allowed to attend her own nans funeral. So yes, forgive me if I find it hard to feel sorry for having to wait a little longer to ride the likes of Shambhala,Taron, Zadra,Taiga and Iron Gwazi or going to flaming Disneyland Paris. Rant over. Again I know this doesn't apply to all enthusiasts but I am seeing enough of it to really get on my wick. It's not just postponed park trips. It's also the sulking over canceled festivals and concerts. People should check their priorities as far as I'm concerned.
    9 points
  19. Congratulations on the success of your campaign.
    9 points
  20. Can I just applaud myself for Jack Sickstone being used by another member on here, plus I've seen Lord Sanbrooke used too. I feel I have acheived something in my life, it's only taken 36 years.
    9 points
  21. Mark9

    Rumba Rapids

    I feel the same way about Thorpe Park sometimes.
    9 points
  22. God he's good. Must be why he's a mod. Waff zooooooom splosh splish splash I was takin a bath rub a dub dub things are lookng UP. I'm desperate, so where can I.P. We need more time, lord.
    8 points
  23. JoshC.

    Hyperia - New for 2024

    I predict that construction for Project Exodus will go vertical on Monday 9th October. I reckon the first supports will go in sometime between 11am and 1pm that day.
    8 points
  24. MattyMoo

    Hyperia - New for 2024

    Looks like a load of dumped shingle/hardstanding to me, almost certainly for storage, site offices etc. One would assume the loggers trough that's underneath it next to the CFM/LL station building will be the very last piece of Loggers that'll be removed (and then cut into slices to sell as merch innit). I eagerly await the Peepy Poop guy to say something along the lines of: Exodus has something in STORE, and the ROAD maybe shorter then you think. Buckwheats or out of luckwheats Rocky or just rocks Time will tell. Who's Ghost Train is it? (oh hold up went off on a tangent there)
    8 points
  25. pluk

    2021 Season

    I imagine next year will be a near repeat of this year. TWD, DBGTROTD, BM all closed. Capacity issues elsewhere. If only they had a nice open space like a farm to relax in, a large capacity train ride to take you there, an event space like an arena where people could be spread over a large searing area, or a log flume where each riding group could have their own socially distanced ride vehicle.
    8 points
  26. So here's the Thorpe problem in a nutshell. Their investment in the 2000's was big. it was exciting, it was dynamic, it was a dream to be a Uk theme park fan with rides left right and centre. But the Thorpe problem comes down to a lack of space and a lack of diversity. They've got themselves into a rut when The Swarm kind of failed. Their target audience demands the newest, most exciting attractions. Who cares about Colossus and its measly ten inversions when The Smiler has fourteen.So then when they fail to grow, they start to downsize. The problems start to increase. The lack of investment means a lack of return which just spirals until we get to now. Thorpe doesn't have the advantages of the family market. Chessington went through a similar slump when it left the thrill market altogether and turned to family. The difference there though is that the family market spends money. Kids demand toys and treats. Ap family holders are all too happy to grab a nice meal and a pint with their family. They like staying in an over-priced hotel. Kerching. Thorpe's target audience doesn't. Thorpe AP holders are happy to only spend a pound in the park all day. It starts to cost too much money to remove the SBNO attractions. Just build a wall. Who do you target at now when the bulk of your attractions are thrill heavy. Really there is absolutely no reason why the park couldn't build a family rollercoaster or some entry level flat rides (give me a breakdance you cowards). But they won't because all they want are headlines and aren't interested in sustaining the park beyond the end of the financial year. So we get short term rubbish like I'm a Celeb or Black Mirror instead of attractions that stand the test of time. I'm amazed that Chessington actually replaced Black Bucaneer and are replacing Rameses with a generic drop tower AND redid Tomb Blaster AND built a Rainforest area, refurbishing Toadies and building a Log Flume at the same time. This stuff never happens at Merlin, it will certainly never happen at Thorpe because the idea of cookie-cutter attractions would never fly. So instead the current attractions just age away and nothing gets built or done. If you were to ask me what Thorpe should do, I'd go with refurbish attractions, build rides that attract a wider audience and beef up that awful entrance with a new look and better security stations. Inferno shouldn't be turning green, family rollercoasters are awesome additions and a stabbing should never be able to happen again. There is absolutely no point in building an RMC or B&M Hyper if the rest of the park looks like a rubbish dump. Putting a bow on trash is still trash. And that for me is the Thorpe problem.
    8 points
  27. Gotta raise those funds for an all new bouncy castle for 2020!! 😮
    8 points
  28. Sometimes being in any way associated with the enthusiast community I want to cringe myself to death. This is one of those times.
    8 points
  29. We finally have footage of the Black Forest Chateau organist. He pretty much looks like a human version of the one in the Vampire's station.
    8 points
  30. I will buy everyone on this forum a drink at the local spoons if Big Top returns. I will actually go through it butt naked if it did. Time to just accept that it’s gone for good. *sees the lineup announcement for Fright nights. Well guess that’s me sticking to Alton Towers Scarefest and Tulleys Shocktoberfest
    8 points
  31. Portvls

    2019 Season

    So me and my other half have just got back from a 4 day trip - one day at Chessington and three at Thorpe. Very mixed trip which I’ll summarise in bullet points. - Operations at Thorpe were (for the most part) very, very good. Two trains on all the major coasters (and TWD) every day and rapid dispatches. Chessington really needs work in that area though! - Our ride on DBGT wasn’t bad, pretty much all of the effects were working well and it had hardly any downtime whilst we were on park. Only reason we went on though is because we had an hour of fast track for it included with the hotel stay, otherwise we wouldn’t have bothered. It’s bad that, for a ride that was supposed to be so re-rideable, we see pretty much absolutely no reason to go back on anymore. It needs to go. - BounceZilla is a complete and utter monstrosity and we thought it looked mortifying for all involved. I’d imagine it’s probably quite fun, yes, but this should not be at Thorpe Park imo. - Jungle Escape has flopped harder than anyone could have expected. We didn’t see anyone queuing or going in, or even glancing at it, whilst at the park. Considered giving it a go, but didn’t think it was worth the £10pp upcharge for what seems to more or less be IAC in sheep’s clothing. - Went in GameFX for 45 mins or so when it was raining yesterday and was moderately impressed. Good variety of consoles and games, and plenty of them to go around. The VR experience also looked good fun. It was pretty quiet though, on a busy day when it was pouring down outside. Evidence that maybe people don’t want to go to a theme park and play video games? ? - TWD:TR has improved since last year imo. Not sure why or how, but I enjoyed it a lot more this year. Much better experience with live actors than without for me personally as well. - Quantum still looks a week or two away from finally opening this year to me. We watched it being worked on and it was tested a few times (that we saw), but it isn’t making a great sound when sent on it’s full cycle ? - Best ride on Vortex that I’ve ever had, it’s running so well this year. - Old Town looks as sorry as ever. I’m not going to even bring up SBNO rides as everyone already knows the situation! - I’ve always had a soft spot for Thorpe Shark, however after this visit I think the park desperately needs a proper hotel. We stayed in a tiny Travelodge room after Chessington and it felt so, so, so spacious compared to the shipping containers. - I’ve not been to Chessington before but I think I preferred it to Thorpe, which I didn’t think would happen considering the target markets (not that anyone, including Merlin, knows what Thorpe’s really is). Better theming, better atmosphere, better maintenance. However Thorpe definitely wins on the operations front. - Impressed with the 40th anniversary merch on offer. They should be doing more to commemorate it than selling new stuff though. - We left 2 hours early today due to the queue times. Our fault for (mistakenly) booking during half term but there you go! Apologies for the long post! Just some thoughts on what will probably be my only visit this year. My second to worst visit that I’ve ever had unfortunately.
    8 points
  32. Proof Varney is actually Thanos. Merlin will never reopen it unless it’s themed to a Donaldson I.P.
    8 points
  33. MattyMoo

    Paultons Park

    Is this some shade at Thorpe? ?
    8 points
  34. Perhaps you missed the part where I said I’m “actually a big fan of the dungeons” (matter of fact, Edinburgh and Amsterdam are my two favourite M£rlin attractions) so yeah I think it’s safe to say I gave this every chance possible and wanted it to succeed. For the record, I DID focus on what the show lights wanted me to see... however when the lack of theming in the walls and roofs stick out like a sore thumb (you don’t really have to be Sherlock Holmes to spot them!!) it is quite difficult to turn a blind eye to it ESPECIALLY for somebody who as he has just said, has done every other UK dungeon plus Amsterdam so I would like to think I have a rough idea of what the dungeons are capable of as thematic experiences. I went into this with an open mind hoping for it to be good however I’m sorry but on this visit, it fell flat. I don’t care if “other opinions are positive”, this is MY opinion which I feel I’m entitled to regardless if it differs from the majority or not
    8 points
  35. MattyMoo

    2019 Season

    Looking forward to JackSilkstone's Closed Season Update video with a thumbnail that says "NEW HYPERCOASTER CONFIRMED?!?!?!?" or similar ?
    8 points
  36. MattyMoo

    2019 Season

    My favourite comment on that FB post of Thorpe's was "10 minutes on the MAP group suggests this is very wrong ?" I'm saying nothing... Oh and also someone has commented this, bravo:
    8 points
  37. Hello TPM peeps, Please find below a provisional plan for the year ahead. Dates are provisional until I confirm in the individual topics Sunday 3rd Feb - Bowling and meal (other ideas welcome) Saturday 30th March - Thorpe Park opening meet Friday 5th to Sunday 7th April - Blackpool meet Saturday 18th May - Chessington meet Saturday 29th to Sunday 30th June - Alton Towers meet (likely to go up Fri evening) Friday 2nd August to Monday 5th Aug - Phantasialand international meet (2 days - Sat and Sun) Saturday 12th October - Thorpe Park FN December (Date TBC) - London attractions/Winter Wonderland I might look at adding a few smaller parks in at random weekends across the year as well. Any thoughts/opinions/ideas are welcome.
    8 points
  38. Benin

    'I'm a Celebrity' Maze

    Any money spent on it could've literally been used on ANYTHING (even polishing Varney's car fleet) and it would've been a better return...
    8 points
  39. We love interacting with our followers! Especially when they're extremely annoyed by the park!! And we love them so much we give copy and paste responses! These don't always answer their problems! Sorry if you feel disappointed by this! - CC
    8 points
  40. Mark9

    Hyperia - New for 2024

    I would sell my soul for Exodus to open tomorrow just so we never have to listen to this nonsense ever again.
    7 points
  41. JoshC.

    2023 - World of Jumanji

    Where have I heard these things before? Let me ask my buddy, Derren: "I don't know Josh, I just don't know..."
    7 points
  42. ...followed by Mr Sickstone over here squealing into his camera that Creek Freak Massacre is the "sickest maze he's ever done"... (I'm calling it)
    7 points
  43. Cheers for the advice bruv.
    7 points
  44. Can we just be clear about Big Top:
    7 points
  45. Benin

    2019 Season

    Thing is as well, these are things that are pretty plentiful in loads of places now... Can't fall over without finding an Escape Room company (there's about 5/6 in city centre alone up in Leeds), there's numerous trampoline/activity places opening, and gaming stuff is starting to come in due to esports... But if you're interested in these things would you do them at a theme park? It's a similar question to having a Dungeons attraction at Towers (though at least at Thorpe the hours are slightly better), why would you take 45 minutes out of your day to partake in something like this after paying whatever the entry fee is? Would people rather this, or the park replacing Slammer with, well anything? These additions scream of a park under the thumb of a company giving them little money to spend, and the worrying thing is it's only going to get worse apparently since the focus is on building Legolands everywhere in the world... Towers has an attraction foisted upon them, Thorpe have no money to spend on anything worthwhile and Chessie are getting another retheme of an attraction which was mothballed... Here's the thing, these events would be fine IF (and I cannot stress the IF enough here) the rest of the park wasn't in dire straits and in desperate need of picking up, getting a dusting down (or a repaint) and generally sorting out... But the parks aren't given enough money to do this because of KPIs or ROIs are directly noticeable from such things, even though having a park that looks the part is one of the most important factors in terms of guest satisfaction... If it looks like a cheap death-trap, then likelihood is guests will come away with that viewpoint...
    7 points
  46. SteveJ

    'I'm a Celebrity' Maze

    I appreciate this is your POV but this just seems like typical Merlin delusion to me. Merlin have proven many times how out of touch they are with the public, I really don't think it enters their minds what people respond to other than what their statistically skewed KPIs and surveys tell them. Of course we don't hear about everything that goes on, which is a shame because there are plenty of stories. For years they held that mantra about a wooden coaster in a UK park, when finally they built one it was very popular. Replacing its last big all-round family ride (in a park that desperately needs a major family ride) with a ticketed Dungeon attraction is not knowing how the public respond. They have no clue what they're doing with Thorpe Park. Wasting their most expensive project ever on a ride that doesn't know what it wants to be and was largely rejected by the public is not "getting the most out of the UK audience". Labouring a declining park with a ride that costs so much to operate and a bunch of fad IPs is not knowing what entertains the public. Until recently they squandered Chessington's development with their weird ideology that it's not allowed a new coaster because it's a family park, and not allowed new rides unless they have animals shoved in somehow, so denied practically everything for years. It's long been obvious to everyone Chessington needs a new coaster to absorb the queues, restoring old rides and fresh new ideas. If British people went to Phantasialand, Efteling and Europa Park would they not enjoy it as much as a Merlin attraction? Many non enthusiasts I know who've visited those places told how amazing it was, they havnt been to nearby Thorpe for years. All that Merlin care about the British public is to monopolise them and hype them up so that they can fleece them of more money. Hence IPs, just broker a deal with something that's already successful. IPs have been around for years, even at the time these parks were being built and that didn't stop them becoming popular. I believe the British public can be a cynical bunch and Merlin certainly know how to mislead them, but sooner or later they wake up to the overpricing, the poor value for money and commercialised parks. I think they're more ready to enjoy whatever's thrown at them than Merlin give them credit for, so long as it gets the fundamentals right and is entertaining, then word of mouth spreads. Merlin have proven time and again they have no idea how to do this other than roller coasters or IPs. Merlin monopolised the market, "hey ho that's business". No, you can make great business out of entertainment without monopoly. If anything monopoly is a way to get away with shoddy business because you own the whole market. I hardly call that business, just domination and shouldn't be shrugged off as 'just the way things have to be'. Merlin is also an extremely inefficient business underneath the hood.
    7 points
  47. Mattgwise

    2019 Season

    Looks like LOTS of cuts for 2019...
    7 points
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