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Efteling is more than just about the rides, especially when a large chunk of park comprises of the Fairy Tale Forest. The Fairy Tale Forest is a massive forested area in the park which features a large array of animatronics and models telling the story of numerous fairy tales. There are different types of settings, some that are outdoors, others that are inside and some that are somewhat a mixture of both. Some have said to me how you can spend hours looking around the whole area. Believe me, it's no joke as it took me around two hours to polish the whole area whilst taking everything in from the charm and overall atmosphere of the area and believe me, it didn't feel like a waste of time at all and was an intriguing experience in the wacky yet wonderful world of the Fairy Tale Forest as there was just so much to see. As a result of this, I shall only be showing some of the best fairy tales. if anyone wants to see any more of the missing, just let me know. The iconic tree is one of the main centrepieces. To me, he comes across as wise and intelligent. Could This Dragon be the influence for the creation of Joris? One of the most interesting ones, the Chinese Nightingale. The way they did the carpet on this one still remains interesting today. The Emperors New Clothes, One of the more modern fairy tales in the forest.The effects and animatronics used here were nothing short of impressive. There's some giant bits of theming in here [pun intended]. One of the most famous ones I think, the dancing water lilies I think. The track is included on the park CD. The insppiration for Aquanura surely? On of the more familiar ones, Cinderella. I like how the castle appears at the end. I think Europa park got some influence from this one. One of the more simple but effective ones here. And who could forget this fellow? One of the original ones here [Anton Pieck anyone]? And of course this guy, who is one of the first characters you will encounter in the forest. But there's more than just dozens of fairy tale models and characters in this forest. There's a full scale theatre right in the middle where a puppet show aires every so often. Great show for young families, although the position of the dragon puppet is debatable. But there's more to just the Fairy Tale Forest and the rides. Ravelijan, a full scale live action show featuring numerous impressive live stunts and effects addition to theming and a soundtrack that are superb. Whilst I didn't understand the what was being said, the choreography and everything else was enough for me to know what was going on. Ravelijan as a result of it's greatness is now my favourite theme park show [that doesn't use fountains & projections] and that includes Lights Motors Action too. Amazing show. Like many of the best parks, Efteling features many random wonderful attractions around. One of these is this walk-through which depicts numerous fairy tale diorama scenes. An interesting distraction. There was also an indoor carousel in the same complex which made me think of the long closed Carousel Kingdom at Thorpe Park. Naturally during a busy day out, the need to have a bite to eat becomes inevitable. but Efteling, it's not all 'shove it down your mouth' at the park eateries. Like a lot of the park, it is a unique experience. Polle's Kitchen is a must do on anyone's visit to Efteling. Because they do the most amazing pancakes you've seen and eaten. They do savoury ones. Or sweet ones. Both I had during my trip were absolutely fantastic. It's one the best places I've ever eaten at within a theme park and the theming and turning gears which will speed up and react to the music every so often help significantly. You can also buy pancake mix in the shops and restaurant as well, to yours heart's desire. There's even a small museum in the park dedicated to the history of the park. It may not be for everyone but is nice to see the park keep such a historic addition. Now on to one of the most ambiguous additions in the park, Spooksplot. Which down to interpretation can be seen as a show or an attraction. I see it personally as a show [though maybe not in the traditional sense]. This is because you enter an unguarded entrance way, which adds to the mysterious atmosphere, wait and then enter where you are then shown a series of interesting effects in a spooky gothic setting whilst the music of Dance Macabre [Jonathan [Matt] Creek] plays. Despite it's unknown entrance way, it fits in to the park very well even today as a sign of one of the first stepping stones where Efteling started expanding from the fairy tale forest in to the large world class park it is today. The effects there are still intriguing from the peppers ghost to the moving stairs especially considering this is nearly 40 years old, being the first projected created by the now late Tony Van De Ven, the successor to the park's original creative artist. This attraction was also one of the set pieces to the music video to Kate Bush's first tv appearance [type Kate Bush Efteling in youtube]. But no visit to Efteling would be complete without watching the shows fantastic fountain show Aquanura, the largest fountain show in Europe [third in the world]. It's an absolutely fantastic show, especially how they synchronise all the different fountains and colours to the music which are all ride themes from the park. These include The Flying Dutchman, Joris and Dream Flight, all of which are re-orchestrated to transition better but still retain their original features. And some beautiful night shots to close my Efteling report, because this is one of the most picturesque parks I have ever visited [probably overtaking even Towers on that one]. Efteling is an underrated park. It features some fantastic theming and impressive rides alongside some excellent shows, entertainment and even eateries and as a result is one of my favourite park's I have ever visited. My favourite rides were easily Joris, Dutchman, Baron & Fate Morgana amongst many others. Not many weak rides in this park here, Monseur Carnival comes across as the only ride I did not really like and though Python was a little dull, I did not dislike it. My only criticisms to the park would be the park closes rides at closing times [not the queue like many others], which would be nice if they took up the Towers way of closing things and the merch. Whilst there was some merch there to buy [notably Baron & CDs], I did not find there was a great selection and actually found it quite difficult choosing stuff to buy in the wrong sort of way. If the park could do more ride branded items like pens, mugs, t-shirts and even badges, it would be so much better. Aside from these few floors, this park like Disney [ in it's own way], wipes the floor with much of the current UK offering. A lot of UK parks could learn many things if they took a leaf out of Efteling's book.

Day 1 What better way to spend the UK closed season than by visiting a park that doesn’t close? Goodbye depressing Merlin situations and hello Efteling, who certainly are the opposite end of the ownership scale, what with being owned by a non-for-profit organisation who happily throw €42 million on a show. So a blustery Saturday morning greeted us, with a flight to remember as the winds took hold of our plane throughout, providing an intense experience I never wish to repeat again in my life. But fortunately the flight was short and Rotterdam was reached (just). A bus to the train station, a train to Tilburg and another bus (Total of about 90 minutes travel time, especially if you get the connections right), and we had reached our destination of the Efteling Hotel! We got our park tickets and through the super secret mini-gate we were in, greeted by a DJ Set-up in front of our first coaster, Vogel Rok. This Vekoma indoor variant is hidden behind a fantastic entrance background and a giant animatronic bird welcoming you into his giant building. A short indoor queue led us into the station and the cattlepen of death (Efteling LOVE hidden cattlepens of death, fortunately we used none of them), and before long we were sat on the ridiculously spacious seats (pros of lap-bars of OTSRs on a Vekoma, given the way Space Mountain at DLP is), and sent off into the pitch black. The ride itself is fun, with a few laser effects and animatronics dotted around as you swoop around the building accompanied by some fantastic music. Very re-rideable (as we found out during the ERT sessions for hotel guests), and probably the smoothest Vekoma I’ve ever ridden. Solid ride and a solid start for Efteling. 7/10 Next door was our first dark ride in Carnival Festival, which is a Small World rip-off in Omnimover form. A really fascinating dark ride; and something that seems to be an institution in Efteling as Bubbleworks once was to Chessington. Catchy theme music, bright colours, moving sets/animatronics, this ride has it all, even some good old-fashioned racism (bless Continental Europe) fill this tour of the world up, from Holland to France (complete with prostitute), London, Japan and Africa; certainly a classic example of a classic style dark ride. Moving on from the area in search of other coasters, we wandered through the park to the opposite corner, taking in the lovely setting of lakes and woodland, before arriving at our second Vekoma, Python. In classic Vekoma white and green, this ride is famous for THAT incident where during an evacuation on the lift hill the train suddenly moved forward due to the unloading procedure. Since then though, it’s had the new Vekoma trains added on with a sexy looking vinyl finish to it. The new trains help this ride a lot though, whilst not as smooth as Vogel, it was certainly the best Vekoma looping thing I’ve been on in a while. Can all of the existing ones have these trains please? A decent helix finale too, but an amazingly bland layout cannot be held up by such an alright finish. 6/10 Efteling have a coaster corner, with Python, Flying Dutchman (closed for off-season maintenance during our visit, so didn’t get to ride it), and Joris en de Draak, the racing GCIs. At the end of last year I thought Stampida was the best example of a well designed (at least, initially) racing style coaster, however, Joris has taken over that mantle exceedingly well, with a layout that is atypical of GCI, and adding in a finish that is often tighter than Merlin’s purse-strings. Even added onto that is the return of the trains to the station; where the winner returns to unfurling banners and cheers, whilst the loser trots in afterwards to boos and jeers. Simple additions that would be deemed as unnecessary in certain parks, but not here; and obviously capped off by a giant animatronic dragon that breathes fire. The choices here are Water and Fire, and generally they don’t differ that much until after the journey back over the station. With the usual array of quick turns, airtime dips and near-misses, it was hard to determine which of the two was preferred to the other. Water tends to gain some lead, but the finale removes that as it goes on a longer journey around the lake next door, where Fire holds back into tighter turns and drops (arguable holding the best drop of both as it dives under the lift hills). In the end they are both excellent coasters, and certainly with the 1.1m restriction they fit into Efteling immensely well. I also get the feeling that Europa were inspired by it slightly, as the swampy queue-line looked very familiar. 9/10 We continued our circuit around the park, walking the long way around due to the mass of construction happening at the Rapids, ending next at the final coaster of the trip, Bob, the Intamin Bobsleigh. I remember enjoying Disaster Transport before Cedar Point spited it so I was looking forward to riding another one. An enjoyable romp through the woods followed, with some surprisingly large drops and some fair amount of lateral Gs. Part of me thinks that these single car versions are better than Mack’s multiple car trains, mainly down to the speed this one achieved, but Avalanche at Blackpool is similar. Oh well, either way, a solid enough ride. 7/10 How to refurb your ride 101 Pictures of Bob are extremely difficult We were hungry at this point, so food was required, and there was a place I had been told (read, ordered) to eat at, Polle’s Keuchen. A pancake place of sheer and utter deliciousness that you so rarely see in a theme park. Heavily themed with a central feature that spun in time to music, open cooking area, waiter service and a bar, all for one little pancake place? Truly, this is the stuff of rare legend. After stuffing ourselves full of pancake goodness, a dark ride was required, so step forward Fata Morgana, Efteling’s answer to Pirates of the Caribbean. From an unassuming queueline of relative blandness around the loading platform, into one of the most well themed dark rides I’ve seen. It uses the tow boat system to its complete advantage, making the scenes feel a lot more involving of the rider for the majority, yet still managed to pull off the impressive large set pieces off as well. Plus some excellent bonus effects were used throughout it. I’ve never been so surprised by a dark ride since Gardaland’s pirate effort, but this is another level. This is truly Disney level dark ride goodness, which resulted in me sitting in awe of the entire thing. Yay for random park entertainment! We had a quick look at the main entrance building (House of the 5 Senses, the most impressive park entrance architecturally speaking) before moving along to the opposite corner of the park again, home to 3 of Efteling’s well-known attractions (unfortunately Ravelijn, the €42 million show, was closed, but the outside of it looks incredible). From one amazing dark ride, to another, this time Dreamflight, an inverted dark ride with an extremely bland cattlepen queue of death (apparently it was once actually themed and didn’t use a side-door) and a station that shared its locale with a café (a very weird one there Efteling), so not the most enticing of starts. Then the ride begins. And after the impressiveness of Fata Morgana, this continued the theme, I was once again blown away by the details, multiple animated characters, the size of the set pieces, and of course the infamous coaster-like finale. It had recently had a bit of a refurb, which did show, but still, my first ride of it, full of the unknown led to even more jaw-dropping moments as gigantic set-pieces revealed themselves. Again, this was some Disney level stuff going on, if not vastly superior. This photo is blurry because it’s the coaster section After a second go on Dreamflight, it was time for another famous one in Villa Volta, the first Vekoma Madhouse. Said to be one of the best ones, it unfortunately suffers from the same issues as the rest, dialogue heavy story-telling. Granted, most Madhouse stories are reduced to “The place is cursed”, but the interesting part is always, “Why is the place cursed?” “Why did the Earl lock up a branch?” “Why is there a Pervy Wizard?” all important questions that rarely get answered if you don’t speak the local lingo. Villa Volta’s first room is an exceptionally bad example of this, as the dialogue comes from speakers in the roof, so you have nothing but people talking about the feared Goat-Riders. The next room improves slightly with the addition of Hugo, the main character and his fabulous animatronic (again, Disney standard), but it still involves a LOT of dialogue. Hex is probably the only Madhouse which manages to get the balance right, as the first pre-show has the accompanying video to tell the story, and the second show has minimal dialogue and is obvious as to what is happening. The ride room though is beautifully themed, and a slightly different (and more forceful) ride cycle to go with it. The music is another feather in the bow of the ride, with another catchy theme which fits the ride perfectly. I would easily say Hex is a better overall product that Volta, but that’s not to say it is bad, indeed, it’s better than its Italian cousins and Feng Ju Palace. But the dialogue is the issue more than the ride itself. Projection Mapping screens live here We had some time to kill so we wandered around to the Laaf Village and did their Monorail thing, which was alright, a very required sit-down attraction. Another go on Vogel Rok followed as we were nearby before walking back to the park entrance for Aquanura, Efteling’s answer to World of Colour, only without projections and just pure fountain action so amazing Amanda Thompson would never leave it alone. Set to various classical music and some of the park’s own music (Villa Volta, Ravelijn, Carnival Festival), it really is a fantastic show, though the wind at this point was problematic and got us extremely wet in the “Optimal Viewing Area”. Nowhere near as bad as watching Disney Dreams in a blizzard that’s for certain, but the timing, colours and various fountain type (and FIRE, because it makes everything better) worked together to create an entertaining spectacle. And that was it for the first day, finding an empty park was not what I was expecting, as was getting every major ride done in a few hours. But we still had 2 whole days, and a Fairytale Forest to visit, so we checked into the hotel, had a nice meal and looked forward to another day of pancakes.